Ladies and Gentlemen! I have for you the lens test to end all lens tests! Not a mere test, mind you, but an epic showdown, a clash of the titans, the ultimate cage match! Pixel peepers rejoice!
In one corner, wearing all-metal trunks in black with yellow piping, we have the Zeiss Otus 85mm, a lens so sharp the TSA banned it from carry-on luggage. A lens so sharp the state of California passed legislation requiring it ships with a warning label. Diamond cutters in Amsterdam are currently investigating ways to harness its fearsome powers.
A lens of this ground-breaking resolution makes sensor engineers wake up in the middle of the night in a cold sweat. But Sony has risen to the challenge with confidence and quiet dignity. The world’s biggest sensor maker answers the Otus with a full-frame, 36 megapixel “Low-pass filters, we don’t need no stinking low-pass filters” A7R. This camera is so powerful that it actually can steal someone’s soul.
In the other corner, we have, well, we have what I had with me at the time–a two-year-old pocket camera, the Sony RX100. Yeah. That’s right. The battery door sticks and the multi-coating on the LCD is experiencing some major exfoliation issues but worry not, this little dynamo is still in fighting trim.
Now, those of you who have read my previous post on using the RX100 as a pro camera may think, ah, ok, I guess this guy worships at the RX100 altar and he’s now trying to convert us all and pretty soon he’ll be sending his sons around to meet our daughters. The truth is a lot more benign, and even more simple. I used the RX100 because I own the RX100. It’s just one of my cameras, and also, given it’s size, the one I have with me more than any other. (Not counting my iPhone 3Gs–I’ve held out for five years in the hopes of another iPhone with rounded corners. Now I have crossed the desert, and lo, my thirst is quenched.)
So, let’s get on with the show. At the Photokina trade fair in Cologne, Germany, I walked towards the Zeiss booth, mission in mind. The only thing was, I couldn’t be sure how the Zeiss guys were going to take it. After all, I was asking to compare their newly minted masterpiece of optical engineering to a pocket camera. The line I had prepared in my defence was, “Well, it is a pocket camera with a Zeiss lens… .”
But explanations weren’t necessary. The reps I had been talking with at Zeiss throughout the show were by far the most generous, informative and candid people I talked with at Photokina. I guess that kind of attitude is easier to adopt when you are one of the undisputed kings of lens design, and part of the history of photography itself. Or perhaps they’re just super nice guys. (Or both.)
Anyway, they indulged my little stunt. Watch the video. The only thing I’ll add is that after the test, as I said goodbye to the Zeiss engineer who helped me, he said, “I hope there’s a big difference!”
Now, the moment you’ve all been waiting for. The 100-percent crops. Here they are. Both are jpegs right out of the camera, auto white balance, 100 ISO, f/5. The one from the Otus/A7R is bigger and shows less depth of field thanks to its higher resolution and physically bigger sensor.
In one corner, wearing all-metal trunks in black with yellow piping, we have the Zeiss Otus 85mm, a lens so sharp the TSA banned it from carry-on luggage. A lens so sharp the state of California passed legislation requiring it ships with a warning label. Diamond cutters in Amsterdam are currently investigating ways to harness its fearsome powers.
A lens of this ground-breaking resolution makes sensor engineers wake up in the middle of the night in a cold sweat. But Sony has risen to the challenge with confidence and quiet dignity. The world’s biggest sensor maker answers the Otus with a full-frame, 36 megapixel “Low-pass filters, we don’t need no stinking low-pass filters” A7R. This camera is so powerful that it actually can steal someone’s soul.
In the other corner, we have, well, we have what I had with me at the time–a two-year-old pocket camera, the Sony RX100. Yeah. That’s right. The battery door sticks and the multi-coating on the LCD is experiencing some major exfoliation issues but worry not, this little dynamo is still in fighting trim.
Now, those of you who have read my previous post on using the RX100 as a pro camera may think, ah, ok, I guess this guy worships at the RX100 altar and he’s now trying to convert us all and pretty soon he’ll be sending his sons around to meet our daughters. The truth is a lot more benign, and even more simple. I used the RX100 because I own the RX100. It’s just one of my cameras, and also, given it’s size, the one I have with me more than any other. (Not counting my iPhone 3Gs–I’ve held out for five years in the hopes of another iPhone with rounded corners. Now I have crossed the desert, and lo, my thirst is quenched.)
So, let’s get on with the show. At the Photokina trade fair in Cologne, Germany, I walked towards the Zeiss booth, mission in mind. The only thing was, I couldn’t be sure how the Zeiss guys were going to take it. After all, I was asking to compare their newly minted masterpiece of optical engineering to a pocket camera. The line I had prepared in my defence was, “Well, it is a pocket camera with a Zeiss lens… .”
But explanations weren’t necessary. The reps I had been talking with at Zeiss throughout the show were by far the most generous, informative and candid people I talked with at Photokina. I guess that kind of attitude is easier to adopt when you are one of the undisputed kings of lens design, and part of the history of photography itself. Or perhaps they’re just super nice guys. (Or both.)
Anyway, they indulged my little stunt. Watch the video. The only thing I’ll add is that after the test, as I said goodbye to the Zeiss engineer who helped me, he said, “I hope there’s a big difference!”
Now, the moment you’ve all been waiting for. The 100-percent crops. Here they are. Both are jpegs right out of the camera, auto white balance, 100 ISO, f/5. The one from the Otus/A7R is bigger and shows less depth of field thanks to its higher resolution and physically bigger sensor.
Sony RX100. ISO 100, f/5. This image has been resized to fit. Click to view larger, true 100-percent crop. |
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